Poetry

The Mermaid Speaks

I cannot remain

The fairytale of the seafoam

Or flicker of maiden?s

Face in the pool.

By your hand,

I churn, fluid 

As my temple. 

And am I not creature –

Necessary creation 

Of what surrounds me? 

See my disappearing fin,

Camouflaged in synthetic fiber

Flora, ghostlings

Of progress. 

Call me leviathan.

My ocean body shimmers:

Constellation of seaglass, bottles without messages, 

Sunlit scale among silver bellies of wrappers, 

Rainbow coral and oil spill, pearl and polystyrene,

Plastic bags bobbing like jellyfish heads.  

Now call me Gorgon,

Slithering 

Hair slathered in venom.

Peer into my eyes.

Tell me 

What you see. 

uwan: ako ug siya

adunay kalit nga kilat ug kusog nga dugdog
sa pagginaksanay namo ilawom sa halapad nga kaadlawon.
nagpalaumbaanay gilayon ang uwan sa pagpangtagak.
ug sa pagdapat niini sa among atop, sa mga dahon
ug mga sanga sa kahoy sa gawas, sa mingaw nga kalsada,
ug sa nag-inusara namong tugkaran,
tagsa-tagsa dayon kining nangapusgay
ug nagyawyaw og mga buak nga mga pulong: 

          god                  balik                                   
            man           nalang                                  
                ikaw    siya                                      
                 husto di na 

mituwak ang uwan ug mitalikod siya.
ug ako igo nalang mihapuhap sa kahaw-ang namong duha.

White Bodies Splayed on White Sand

1.

There is no mapping out a space
definable only by the pigment

of its occupants. In these shores,
the economy of skin and hair

and eyes outweighs the mandate of coin.
An island local jokingly quips:

the border that outlines General Luna
from the rest of Siargao is determined

by the sudden, sporadic presence
of white bodies splayed on white sand.

A German tourist at a local nightclub
takes out his phone to film six

brown bodies across him, cheeks
blushing pink, teeth polished

and gleaming like mothers-of-pearl;
an ornate display of what attempts

to be the finest catch in an island
best known for its clam and fish?

their scales silky, slippery; guts strong
like shells carrying saltwater; mouths full

and seething with a language
so broken it is almost beautiful.

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Urban Jungle

Concrete trees mount this jungle
the home of the corporate hoarders and lunchless laborers.
Sunlight veils its walls, producing shadows 
to shade the windowless homes.
Traffic symphony signals the roofless residents 
to wake-up, to look for a new cardboard sleeping bag
and to scout another cave for slumber.
Elite apes live in concrete treehouses
while peasant roaches creep the cemented ground.
Both live harmoniously
with freshly picked out supermarket fruits
and recycled meat as nourishment.
Garbage fertilizes the jungle streets
and nurtures the strong with bacteria.
Every night, bullet rain blesses this jungle
to purify it from weeds, and blood splatters
the walls, painting a geographical
map of metropolitan mass murders.

Tinagutlo nga Pag-aninaw sa Tuboran

I.

subay ning sandayong midagayday 
ang tubig gikan nianang tubod sa karaang kamansi

diin giugbok mo ang talinggab sa patong nga kawayan diha sa iyang kasingkasing
ug mibugwak ang iyang tam-is nga luha

kon imong tutokan ning gisubayan sa tubig
ang lumot mikunot na, apan lunhaw gihapon—himsog, ambongan, walay sama

nga misala sa bul-og sa luha sa kalipay 

timan-i: 
kining tubora mao ang matuod nga katagbawan sa kalibotan nga

bisan sa kataposang lad-ok sa tamsi, mobalik ug mobalik siya aron sa pagsigop sa sabaw nga inipis sa iyang Inahan

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