Fiction

The Ticket

Boys grow up to be men. And it’s men who cause all the trouble. They’re the ones who shed the blood and poison the earth.” – Stephen King, Sleeping Beauties

ONE SUNDAY MORNING, the world woke up without women. No man really knew what happened. Were they abducted by aliens? Were they all kidnapped by a mogul? A male news anchor on TV screamed, “We’re happy the transgenders and intersex who are biological glitches are gone but where the hell did our wives go?” News on the Internet kept announcing reward money from Caucasian men for any one with leads as to where their wives and children have gone. Even the male presidents and prime ministers did not know where their wives went or where they have taken their children. One Sunday morning, the world woke up without women. Of course, wherever the women go, the children go with them. 

As to Rolando Magsaysay, a Filipino with a sound mind and body at age of 35 years old, his world suddenly become at a standstill. He woke up expecting her wife and children at the dining table waiting for him to join their breakfast. Instead, he found the house empty. There was no laughter and heavy steps from their seven-year old daughter Charo and his three- year old son Gabrielle. There was no kitchen smelling like pancakes and coffee. There was no one but him. 

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Walang Susing Musoleyo

Nilalampaso ni Titser Jane ang sahig ng musoleyong putikan dahil sa pag-ulan kagabi. Ginawa nila itong panandalian na silid-aralan para sa mga batang nakatira rito sa sementeryo ng Brgy. Mayapis. At hindi sila ngayon makapagklase dahil sa kapal ng putik na pumasok sa loob nito. 

Kasalukuyan siya na tinutulungang maglinis ng mga bata na kaniyang tinuturuan. Nilapitan siya ni Chelsa na tila balisa.

“Titser Jane sabi po ni Loloy na sabi raw po ng Mama niya kapag namatay raw po ang tao nagiging lupa ‘pag matagal nang nakalibing. Tinatakot niya po kami Titser Jane,” sumbong nito habang pinipilit na hindi maiyak.

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Quaranfic

Tondo 1

“Nay pwede na lumabas?!” Napabalikwas sa higaan si Jeng-jeng nang makarinig ng mga naghuhuntahan at naglalarong bata.

“Oo, ikaw na lumabas para bumili ng ulam at marami pa kong isasampay. Yung kapatid mo papasukin mo na rin dito!” 

Agarang tumayo si Jeng-jeng at kinuha ang barya mula sa ina.

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Lamiraw

Most people don’t know this. The only ones who do are seers, dreamwalkers and those born with the sight like me. Long ago before the age of Man, gods walked the Earth. It was a time when the world was newly-born like an infant, when there was no difference between waking and dreaming. This time was called Lamiraw, the Age of the Waking Dream. In Lamiraw, the gods walked upright on two feet like us. They looked like us except they were giants. Some gods were so tall that their heads scraped the sky. When they walked, the Earth shook with each footstep. When they waded into the sea, their every movement created waves as tall as hills. They sculpted mountains for them to rest their heads on as they slept. Lakes were created when they shed tears. Rivers were formed when they relieved themselves. Hills and mountain ranges were born when, you know. I’m sure you know what I’m talking about because we all do it once a day, sometimes even twice. We all have to do it, even kings, even popes, even gods, although the myths leave out their most intimate and natural bodily functions. 

I was riding a pumpboat at Malajog Beach in Calbayog, Western Samar when I had a vision-walk. When I experience a vision-walk, I am transported to Lamiraw, the age of the gods. While I am in Lamiraw, I feel like I am floating in a timeless space before time and distance held sway and when dreaming and waking were one and the same. 

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How Sitio San Roque Turned into a Garden

Everything in the dilapidated houses has been sitting on the same place for many years that if one lifts an object, its shadow will refuse to leave the surface. Except that there’s no one to do that now. Everything – not only in the houses but in the whole sitio where the houses stand limply – everything there is dew, devoid of any human presence. Debris that has fallen from the ceiling is covered with dew. Vines that creep throughout the debris are covered with dew. Flowers that grow from the vines are covered with dew. Everything there is dew. Fogs that never cease to float over the land. And plants. Especially plants.

The vast expanse of flowers is unbearable to see. They crawl across the ruins, unforgiving to the slits on the floor, the amakan holes, or the cracks on the doors, replacing window frames with thick bushes, trapped underneath pieces of furniture, dominating tin roofs to cover their rusts, all of them growing without discipline. One cannot ascertain if they’re ugly or beautiful. Sprouting from faucet mouths, holes of abandoned toilet bowls, or ribcages of goat carcasses, they’re chaotic, as if every petal is in disagreement. Even the most well-versed of all mathematicians cannot make out a clear pattern that dictates their growth. 

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